Mission
Tuesday, March 5 2002
6:00 RoboBowl III 10:00 Robotics Channel News 11:00 Late Night with Jerry Winters (special guest Doc Beardsley)
In Depth
    Intro - Station Identification

    Scene 1 - Closing Credits Sitcom Sketch

    Scene 2 - RoboBowl Teaser

    Scene 3 - TartanCard Commercial (MasterCard Spoof)

    Scene 4 - Top Story

    Scene 5 - Weather

    Scene 6 - Human Interest Story

    Scene 7 - Late Night Teaser

    Scene 8 - NavCar Commercial

    Scene 9 - EyeVision Promotion

    Scene 10 - Showcase RoboBowl Action

    Scene 11 - Telestrator A.I. Demonstration

    Scene 12 - Medical Robotics (United Way dramatic style)

    Scene 13 - Industrial Robotics (America's Heartland)

    Scene 14 - Biography (Red Whittaker)

    Scene 15 - RoboCamp (N.R.E.C.)

    Scene 16 - RoboCup 2002 Corporate Sponsors & Commentary

    Scene 17 - RoboCup 2002 RoboLand Propaganda

    Scene 18 - RoboCup 2002 Kickoff & Finale

This involves clips of from EyeVision in SuperBowl 35. We begin at a sports anchor desk with the stadium behind. Our reporters are Jim on stage right and Carl on stage left.

JIM
Good evening ladies and gentlemen, Jim Miller here! RoboBowl III is finally here. Welcome to our preshow where we'll give you a sneak peek of what to expect from our teams today and show you some of the exciting new technologies involved in our broadcast. I'm joined tonight by senior analyst Carl Rogers. Carl, are you excited?

CARL
Jim, this is the premiere event of all robotic sports, how can I not be excited? Let's show the folks at home what we've got cooked up tonight.

JIM
Superbowl 35 saw the debut of a dazzling new way to view the game called "EyeVision". (start clips from SuperBowl) This technology gave the television audience views of the action from any angle, and even created entirely new shots created from a combination of the multiple cameras. The very same technology will be in place during tonight's game, thanks to the efforts of researchers at Carnegie Mellon, under the direction of Takeo Kanade.

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